I go against the grain, I prefer Ocean Way to Capitol Chambers - it is also less DSP if that's a factor (which it is for me).Īlso against the grain, I opted for the Fatso over the Distressor, partly because I have other preferred compressors - so if I want that modern sound, I find the Fatso has enough vibe for me, don't need to tweak it as much.Īlso has been said before, look at what you use now (not just what you have), and see what would complement/add/fill any gaps. but as was noted above, there are great plugins to be had by other than UAD. Had I followed that when I started mixing, I'd probably have 75% fewer plugins than I do now. I can see limiting to UAD (or any one brand) for simplicity's sake. My guess is the OP feels a little time pressure since the June sale ends soon. At least, not one that you and others highly appreciate. Unless you do, you will not be able to develop your own style. But even if you love my faves, you must learn to utilize them. Or you might love my personal favorite plugins. If you don’t try both in the same chain, how will you possibly know? You should also go to a website like AskAudio or MacProVideo to learn about the variations that are available, the subtypes, and special features (like side chaining, for example). You ask whether there was enough difference between 1176 and Distressor to spend the money for it. And try each modifier type with different instruments.
I suggest you learn about each type of sound modifier one type at a time.Įven EQs have all kinds of variations in how they affect sounds. But there are other companies making superb plugins. Click to expand.Use the UAD plugin demos to decide for yourself.Īnd why would you ever limit yourself to one brand of anything? Sure, UAD plugins are great some are exceptional.
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